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  • Christina Crawford is the #1 New York Times–bestselling author of the memoirs Mommie Dearest and Survivor, as well as the women’s history book Daughters of the Inquisition. Crawford graduated magna cum laude from the University of California, Los Angeles, after spending nearly fourteen years as an actress in television, theater, and film.
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Mommie Dearest is a 1981 American biographical drama film directed by Frank Perry.The film depicts Christina Crawford's adoptive mother, actress Joan Crawford, as an abusive and manipulative mother who hurt her adopted children. Starring Faye Dunaway, Mara Hobel, and Diana Scarwid, the film was adapted for the screen by Robert Getchell, Tracy Hotchner, Frank Perry, and Frank Yablans from.

Mommie Dearest
AuthorChristina Crawford
CountryUnited States
LanguageEnglish
GenreMemoir
PublisherWilliam Morrow & Co.
Publication date
October 2, 1978
Media typePrint (hardcover)
Pages286 pp
ISBN0-688-03386-5
OCLC4114625
791.43/028/0924 B
LC ClassPN2287.C67C7
Movie

Mommie Dearest is a memoir and exposé written by Christina Crawford, the adopted daughter of actress Joan Crawford. Published in 1978, it described the author's upbringing by an unbalanced alcoholic mother, whom she judged unfit to raise children. The book attracted much controversy regarding child abuse and child trafficking, with many family friends denouncing it as fiction. It was turned into a 1981 film of the same name starring Faye Dunaway.

Synopsis[edit]

In the book, Christina contends that Joan, whom she describes as not wishing to be involved in parenting her, was an alcoholic who hit her regularly and placed more importance on being famous than on bringing up her children. Joan's alcoholism was later publicly confirmed by close friends after her death.

Christina suggests that Joan may have adopted children as a publicity stunt to sustain her career. She implies Joan had a long list of affairs with men, whom Christina was required to call 'Uncle' and on some occasions 'Daddy', and that Joan also had many affairs with women. Christina writes that as she grew older and more difficult to control, Joan found excuses to remove Christina from the home by sending her to various boarding schools and strict religious academies, often specifying in her instructions that Christina must be allowed no contact with the outside world. Often, the threat of boarding school or the actual sending of Christina to these schools was used to punish Christina for defying her mother or fighting back against her abusive behavior.

Christina recounts several evenings on which Joan's behavior was unbalanced, and at least one encounter with her mother where Joan attempted to strangle her. In another encounter, Joan reportedly discovered Christina's clothes hanging in a closet on wire hangers, which Joan detested, instead of crochet hangers, and reprimanded her harshly. In an incident in which Christina refused to eat very rare beef, Joan ordered the meat returned to the refrigerator and refused to allow Christina any other food for several days until she finished the meal; Christina managed to hold out until her mother gave up and allowed her regular meals again. Joan allegedly disposed of her children's possessions to punish them for minor transgressions. Christina also wrote that Joan strapped Christina's younger adopted brother, Christopher, to his bed each night until he was 12, ostensibly to control his sleepwalking.

Christina reported that Joan's controlling and erratic behavior continued throughout Christina's adulthood. She asserts that Joan was jealous of her daughter's burgeoning acting career, to the point of taking over Christina's role in the soap opera The Secret Storm while Christina was in the hospital recovering from an operation to remove an ovarian cyst. (Christina's character was 28 years old; Joan was then in her 60s.) She also used money to control the adult Christina's behavior by refusing to give her money for basic living expenses, even while taking her out for expensive meals and paying for taxis.

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The book culminates with Christina learning that she and her brother Christopher had been left out of Joan's will, even though Christina believed that both she and her brother had reconciled with their mother prior to her death.

Reactions[edit]

The book's publication in 1978 created an enormous amount of attention.

Some of Joan's friends disputed the version of events presented in Mommie Dearest. Among them were Van Johnson, Cesar Romero, Bob Hope, Barbara Stanwyck, Sydney Guilaroff, Ann Blyth, Gary Gray, and particularly Myrna Loy,[1] Joan's friend since 1925. While acknowledging that Joan was highly ambitious for much of her life, critics have suggested that Christina embellished her story. Douglas Fairbanks Jr., Crawford's first husband, described the book by stating, 'The Joan Crawford that I've heard about in Mommie Dearest is not the Joan Crawford I knew back then.' The two younger Crawford children, Cindy and Cathy, born in 1947 and also adopted by Crawford, have stated categorically many times that they did not witness or experience any of the events that were described in the book. Christopher Crawford stated 'I honestly to this day do not believe that she ever cared for me.'[2]

Bette Davis, longtime rival of Crawford's, denounced the book, stating 'I was not Miss Crawford’s biggest fan, but, wisecracks to the contrary, I did and still do respect her talent. What she did not deserve was that detestable book written by her daughter. I’ve forgotten her name. Horrible.'[3][4] Ironically, Davis's daughter later wrote a heavily criticized book alleging an abusive upbringing with Davis.

Liz Smith, writing in the Baltimore Sun, said, 'I was inclined to believe Joan was misguided in her attempts to 'mold' her children—and was vain and self-absorbed like most great stars—but the stories of beatings and near-madness were over the top.'[5] Crawford's secretary for nearly 50 years, Betty Barker, also stated that while Joan was strict, Christina and Christopher were never abused.[6]

Joan's friends Helen Hayes,[7]James MacArthur,[8]June Allyson,[9] and Betty Hutton[10] have stated they saw questionable behavior, but not outright abuse.

Epilogue[edit]

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The last pages of Christina's book suggest that she was not about to let her mother have the 'last word' by omitting her daughter from her will. Biographer Fred Laurence Guiles later reported that Christina began writing her book before Crawford's death and have suggested that Joan's knowledge of its contents may have been a factor in Joan cutting her daughter from her will.[11]

Christina later released a '20th Anniversary Edition', which included 100 pages of new material and omitted about 50 pages of original material. The second edition names certain individuals not named in the original book and focuses more on Christina's relationship with her mother from her high school graduation until the 1970s. It also reveals what became of her brother and describes several incidents involving him.

Released by a smaller publishing company, the second edition included some unconventional promotional methods. In 1981, the book was adapted as a movie, starring Faye Dunaway, at which the shocked Christina gave negative feedback about the film and lectures on the new edition of her book at screenings of the film. Christina also appeared at readings with drag entertainer Lypsinka, who has made numerous appearances as Joan Crawford during stage acts.[12]

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In 2017 Crawford worked with lyricist and composer David Nehls on a stage musical adaptation of Mommie Dearest, which was produced by Out of the Box Theatrics in New York City.[13]

References in other media[edit]

Saturday Night Live featured a sketch parodying 'Mommie Dearest' on the ninth episode of its fourth season, airing on December 16, 1978.[14]Jane Curtin portrayed Joan Crawford as mercurial, ill-tempered, and micromanaging. Gilda Radner played an exaggerated version of young Christina as mute and possible mentally handicapped, puffing her cheeks out and crossing her eyes as she sauntered around the set.[15] This sketch, which took place around Christmas, also featured Dan Aykroyd as Clark Gable, Bill Murray as Cary Grant, Laraine Newman as Katharine Hepburn, and guest host Elliott Gould as fictional character Archer Armstrong.[16]

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Victoria Beckham referenced the famous wire hangers scene in her music video for 'Let Your Head Go'.

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Four years after Joan Crawford's death, Blue Öyster Cult released the song 'Joan Crawford' as part of their album Fire of Unknown Origin (1981). In the final third of the song, there is a voice calling 'Christina' with the lines 'Mother's home' and 'Come to mother'. In the background, the word 'No' is repeated over and over. This is in reference to parts described in the book.

Editions[edit]

  • Mommie Dearest, Christina Crawford, William Morrow & Co., 1978, ISBN0-688-03386-5, hardcover
  • Mommie Dearest, Christina Crawford, Seven Springs Press, 1997, ISBN0-9663369-0-9, expanded edition. The book's 20th Anniversary Edition restored approximately 100 pages previously cut from the original 1978 printing. Christina Crawford bought back the book rights.
  • Christina Crawford (2017). Mommie Dearest. Open Road Media. ISBN978-1-5040-4908-5.

References[edit]

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  1. ^'....if ever there was a girl who needed a good whack it was spoiled, horrible Christina. Believe me, there were many times I wanted to smack her myself.' - Myrna Loy in: Joan Crawford: The Essential Biography, Lawrence J. Quirk, William Schoel, University Press of Kentucky, 2013, page 261
  2. ^Parker, Jerry (October 1, 1978). 'Like Daughter, Like Son Chris'. Newsday.
  3. ^Chandler, Charlotte. 'Daughter Dearest'. Vanity Fair.
  4. ^Dibdin, Emma (February 22, 2017). 'A Timeline of the Real Feud Between Bette Davis and Joan Crawford'. Harper's BAZAAR.
  5. ^Smith, Liz (February 6, 2008). 'New book gives another view of Joan Crawford as a 'Mommie''. baltimoresun.com. Baltimore Sun. Retrieved January 12, 2014.
  6. ^Day, Elizabeth (May 25, 2008). 'I'll never forgive Mommie: Joan Crawford's daughter gives first interview in 10 years'. The Observer. Guardian. Retrieved January 12, 2014.
  7. ^Hayes, Helen; Hatch, Katherine (1990). My Life in Three Acts. Harcourt, Brace Jovanovich. ISBN0-15-163695-8.
  8. ^Redbook v. 165, Redbook Publishing, Inc. p. 25. OCLC 1763595.
  9. ^Allyson, June; Leighton, Frances Spatz (1983). June Allyson. New York: Berkley. pp. 77–84. ISBN0-425-06251-1.
  10. ^Meredy. 'Joan Crawford - Movie Star - Biography'. Meredy.com. Retrieved January 12, 2014.
  11. ^Guiles, Fred Laurence. Joan Crawford: The Last Word, Carol Publishing Corporation (1995), ISBN1-55972-269-X
  12. ^'Lypsinka Dearest: John Epperson, as icon Lypsinka, recreates Hollywood legend, Joan Crawford, at Studio Theatre'. Metroweekly.com. February 8, 2007. Retrieved January 12, 2014.
  13. ^BWW News Desk. 'Out of the Box Theatrics Presents Reading of MOMMIE DEAREST'. BroadwayWorld.com. Retrieved September 15, 2017.
  14. ^https://snltranscripts.jt.org/78/78imommy.phtml
  15. ^https://thewickerbreaker.com/season-4/2017/3/15/snl-s04e09-host-elliot-gould
  16. ^https://www.pinterest.com/pin/320459329715729562/
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Mommie_Dearest&oldid=1034398246'
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